AR216 Art History II

for S2T 2011

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AR 216 Art History II


S2T 2011 DL


Ricci, Glenn A.


Adjunct Faculty


CARNEGIE MELLON UNIVERSITY – Master of Arts in Teaching Computer Art

Office Location


Office Hours

Monday - Friday 3 – 6 PM EST

Daytime Phone



Semester Dates

ST2011  3-14-2011 to 5-8-2011

Class Days


Class Time


Credit Hours


Art History, Volume 2 - With Myartslab
RequiredEdition: 4TH 11 • Stokstad, Marilyn
ISBN: 9780205806294

Textbooks can be purchased through the MBS bookstore

Textbooks can be purchased through the Parkville Bookstore

Additional Resources:;jsessionid=2A9BC2E8E855C90AA090FF8A7FFD3FF7
The Oxford Art Online website is searchable for any work of art by artist, title, or period and returns information by subject entry, images of the actual works, and offers other tools and resources. So virtually any work of art is accessible to students to observe and become familiar with the stylistic characteristics.
This web-based reference is for the internet public library and is broadly searchable for most any artistic works from many various civilizations and cultures covered in the AR 216 course. The site also includes sub-headings for the following areas:
Arts & Humanities News, Classics, Culture, Fine Arts, History, History of Arts & Humanities, Museums, Philosophy, and Religion & Theology.
This is the Getty Art and Architecture Thesaurus online of the Getty Research Institute for study. The Institute is dedicated to furthering knowledge and advancing understanding of the visual arts. The Research Library has special collections of rare materials and digital resources serving as an international community of scholars and the interested public.
This is a very easy to use glossary of art and architectural terms that is extremely comprehensive and includes specific glossary categories for painting, architecture, printmaking, color in art, and art movements.

McAfee Memorial Library - Online information, links, electronic databases and the Online catalog. Contact the library for further assistance via email or at 800-270-4347.
Career Counseling - The Career Development Center (CDC) provides services for all stages of career development.  The mission of the CDC is to provide the career planning tools to ensure a lifetime of career success.
Park Helpdesk - If you have forgotten your OPEN ID or Password, or need assistance with your PirateMail account, please email or call 800-927-3024
Resources for Current Students - A great place to look for all kinds of information
Advising - Park University would like to assist you in achieving your educational goals. Please contact your Campus Center for advising or enrollment adjustment information.
Online Classroom Technical Support - For technical assistance with the Online classroom, email or call the helpdesk at 866-301-PARK (7275). To see the technical requirements for Online courses, please visit the website, and click on the "Technical Requirements" link, and click on "BROWSER Test" to see if your system is ready.
FAQ's for Online Students - You might find the answer to your questions here.

Course Description:
AR216 Art History II (MGE): A chronological survey of the history of art from the Renaissance through the twentieth century. Instruction is not limited to the western tradition but includes sections on Asia, Oceania, India, Africa and the Americas. Gallery tours augment slide-lecture instruction.  3:0:3

Educational Philosophy:
I believe learning can occur when students allow themselves to be open to new content and actively engage with the subject matter.  When that is done students will find something unique and intriguing in art history.  By investing energy toward learning in this class students may get information and knowledge that will enrich the rest of their lives and how they see the world.  The majority of this class is based on the book, but I am willing to consider for discussion any tangential topics that may help a student engage with the material.

Learning Outcomes:
  Core Learning Outcomes

  1. Recognize and identify the special stylistic characteristics of the arts from the wide range of civilizations and cultures addressed in this course.
  2. Discuss some of the ways specific civilizations and cultures are directly reflected in their art and architecture.
  3. Use the specialized language of art and architecture, both orally and in writing, to discuss and respond to art.
  4. Observe art with greater perception (a “trained eye”) and an ability to begin interpreting both its form and its content.

Core Assessment:

For a due date, please check the course syllabus or course overview. 

·         The paper should be approximately 750 words in length. (give or take 10% - absolutely no more than 1250)

·         Your focus will be on a single work of art.

·         NO RESEARCH is necessary.

Your Trip to the Museum:

You will choose a work of art from a local museum. (If you do not have access to a museum near you, please choose an object that interests you from a museum or gallery website on-line. If you must work from a photo found on-line, try looking for multiple views or details on multiple sites.) You will need to bring:

·         a pad of paper

·         a pencil -The museum will not allow you to use a pen in the gallery. 

·         a few extra sheets of paper for sketching. Your sketches do not need to be professional or finished, so any blank sheet of paper will do. 

·         the handout I will give you, copied from A Survival Guide for Art History Students, by Christina Maranci. Chapter 3, “Putting Words to Images: Mastering the Response Essay,” pp. 33 – 70.

Choose an appropriate work of art! The date, period, and place of origin should be relevant and fall within the parameters of our class. Choose a work of art that engages you intellectually or emotionally.

Plan on spending a minimum of 40 minutes with the object you choose.  This is 40 minutes of quality looking, not discussion with a friend. My suggestions will take you 45 minutes to 1 hour:

1.      look at the object for at least 15 minutes (no notes yet)

2.      then take as many notes as you can (to make things easier, the Survival Guide handout has listed questions to ask yourself while taking notes)

3.      take a break to walk around, stretch, get a drink

4.      look at the object again for another 15 minutes (you will be more perceptive the second time around)

5.      take notes again

6.      try sketching the object (this doesn’t have to be good but will miraculously seem to point out to you additional observations about the object) 

It is often helpful to come back another day to look again, but this is not necessary to complete the assignment, particularly if you follow my suggestions and take good notes.
The Paper Itself:

This exercise is called a response essay. You do not need to research anything. You will visit the museum, choose a work of art, and write the essay based only on what you can see. Looking is not as simple as you may think. Rather than merely describe the object, you will want to analyze its form. You need to ask yourself the questions:

·        “What is this doing?”

·        “Why do I have this response?”

The challenge is to analyze a work of art, separating its parts in order to understand the whole. You must resist the urge to merely describe, and instead evaluate the object.   Further insights and instructions can be found in A Survival Guide for Art History Students, by Christina Maranci. Chapter 3, “Putting Words to Images: Mastering the Response Essay,” pp. 33 – 70.

Organization of the Paper: (further explanations and examples can be found in the Survival Guide handout)

1.      The Introduction

a.      Write a Short Description of the Work You Have Chosen. Include identifying subject matter or forms, setting or space, color, and medium.  

b.      State Your Main Argument. A thesis statement related to the overall effect or meaning of the object.

c.      State (Briefly) the Ways in Which You Will Prove It.

2.      The Main Body (a detailed description/analysis including, but not limited to, the following):

a.      Discuss the Medium, the medium’s traits, and the artist’s use of the medium.

b.      Discuss the relevant formal elements (i.e.: line, shape and space, composition and relative scale, light and color, style)

c.      Discuss the composition (i.e.: unity/variety, balance, emphasis, focal point)

d.      Discuss the relationship the formal elements and composition have to the subject’s meaning (or overall effect).

3.      The Conclusion.

a.      Restate the Main Argument

b.      Place this work of art into the big picture. Relate it to a larger issue, art-historical movement, etc.

4.      Attach an image of the object (This can be a postcard purchased from the museum bookstore, a photograph, or your sketch. Your own sketch does not need to be professional quality.)

Don’t forget to include the objective information somewhere within the paper: artist (if known), culture, date and period; medium; size; museum. Most, if not all, will be available on the museum label found near the object.

Mechanics of the Paper:

·         The paper should be approximately 750 words in length. (give or take 10% - absolutely no more than 1250). This will turn out to be 3-5 pages in length

·        Pages numbered

·        Proper organization, complete sentences, grammar, punctuation, spelling and word choice

Remember that less-than-graceful writing will count strongly against you, as well as misspellings and typos and other signs of carelessness.  Proofread.  It helps to have someone read over your “final” version before you print it out.  You’d be amazed at what you miss. 

You can find further hints on writing art papers from these sources on reserve:

A Short Guide to Writing about Art, by Sylvan Barnet. 3rd edition.

A Survival Guide for Art History Students, by Christina Maranci. Chapter 3, “Putting Words to Images: Mastering the Response Essay,” pp. 33 – 70.

Look! The Fundamentals of Art History, by Anne D’Alleva. Chapter 3, “Writing art-history papers,” pp. 64 – 69.

Link to Class Rubric

Class Assessment:
- Quizzes - 120 points
- Participation in Discussions
- 80 points

- 2 Exams - 100 total points

- Response Paper - 100 points

- Proctored Final Exam - 100 points


Course Assessments Rubric




Total %

Quizzes (12)




Discussion Questions (8)




Exams (2)




Response Paper



Proctored Final Exam






Letter Grade Policy


Number of Points



450 - 500



400 - 449



350 - 399



300 - 349



299 or below

Below 59.9

Late Submission of Course Materials:

Please read this carefully - The online course is open virtually 7 days per week, 24 hours per day for a total of 168 hours access with internet.  Thus, there should be no reasonable excuse for not completing and getting work in on time if you start early each week.  It is highly recommended that you not wait until late in the week or up to the last hours and minutes to complete dicussions, quizzes, exams, and papers that are due by set deadlines established well in advance for this course.  Waiting may only allow unexpected circumstances to interfere with your course work that can be detrimental to your score.   For example, late papers will only be accepted within one week after their due date, and will be penalized one letter grade or 10% for each day late, up to a maximum of 7 days late. So if you are 3 days late, you will be docked 30%, 8 days late and you get zero.   No DQ (discussion question) posting assignments or DQ participation replies are accepted after the end of each week (Sunday) in which they are due. Students may NOT make up quizzes or exams as resets can affect other students ability to view their exams.   Lastly, it is not fair to classmates who work responsibly or overcome their own adverse circumstances to meet course deadlines.

Classroom Rules of Conduct:
Good classroom etiquette must always be followed.  Student thoughts are necessary for any successful class discussions. In this class your instructor will encourage and may even demand your thoughts or opinions based on course readings and material.  However, any discussion centered on the highly subjective world of art has the potential to incite heated debate.  Class discussions may rise to a passionate level, while remaining respectful to others.  Any abusive or offensive behavior will not be tolerated. 

Course Topic/Dates/Assignments:
Introductions Post

  • Introduce yourself in the INTRODUCTIONS tab under COURSE HOME.


  • read pages 528 - 557 in your book

Multimedia Presentations

  • Chapter 17 - 14th-Century Art in Europe
  • Chapter 18 - 15th-Century Art in Northern Europe and the Iberian Peninsula


  • Quiz over Chapter 17 (10 points)
  • Quiz over Chapter 18 (10 points)

PAPER ASSIGNMENT! Begin working on your paper assignment. Due in Week 7!


  • Discussion Question 1 (Chapter 10 points)



  • read pages 592 -672 in your book

Multimedia Presentations

  • Chapter 19 - Renaissance Art in 15th Century Italy 
  • Chapter 20 - 16th-Century Art in Italy


  • Chapter 19 quiz (10 points)
  • Chapter 20 quiz (10 points)
  • Exam 1 (50 points)


  • Discussion Question 2 (10 points)

Prepare for Final

  • Find a proctor (DO NOT WAIT TO DO THIS EARLY) and schedule your appointment (deadline on Friday of Week 6).  



  • read pages 676 - 765 in your book

Multimedia Presentations

  • Chapter 21 - 16th-Century Art in Northern Europe and the Iberian Peninisula
  • Chapter 22 - 17th-Centure Art in Europe


  • Quiz over Chapter 21 (10 points)
  • Quiz over Chapter 22 (10 points)


  • Discussion Question 3 (10 points)



  • read pages 770 - 787 in your book

Multimedia Presentations

  • Chapter 23 - Art of South Asia and Southeast Asian after 1200


  • Chapter 23 quiz (10 points)


  • Discussion Question 4 (10 points)



  • read pages 790 - 810 in your book

Multimedia Presentations

  • Chapter 24 - Chinese and Korean Art after 1279


  • Quiz over Chapter 24 (10 points)
  • Exam 2 (50 points)


  • Discussion Question 5 (10 points)



  • read pages 902 - 1011 in your book

Multimedia Presentations

  • Chapter 29 - 18th and Early 19th-Century Art in Europe and North America
  • Chapter 30 - Mid to Late 19th-Century Art in Europe and the United States


  • Chapter 29 quiz (10 points)
  • Chapter 30 quiz (10 points)


  • Discussion Question 6 (10 points)

Prepare for Final

  • You MUST schedule your final by Friday of this week!


Paper Assignment

  • Response Essay. Paper due by midnight Wednesday - 100 pts


  • read pages 1016 - 1128 in your book

Multimedia Presentations

  • Chapter 31 - Modern Art in Europe and the Americas 1900-1950
  • Chapter 32 - The International Scene Since 1950


  • Quiz over Chapter 31 (10 points)
  • Quiz over Chapter 32 (10 points)


  • Discussion Question 7 (10 points)



  • Proctored Final Exam (100 points - see below)


  • Discussion Question 8 (10 points)

Proctored Exam

  • Arranged through proctoring service - 100 pts

Academic Honesty:
Academic integrity is the foundation of the academic community. Because each student has the primary responsibility for being academically honest, students are advised to read and understand all sections of this policy relating to standards of conduct and academic life. Park University students and faculty members are encouraged to take advantage of the University resources available for learning about academic honesty ( or Park University 2010-2011 Undergraduate Catalog Page 92

Plagiarism involves the use of quotations without quotation marks, the use of quotations without indication of the source, the use of another's idea without acknowledging the source, the submission of a paper, laboratory report, project, or class assignment (any portion of such) prepared by another person, or incorrect paraphrasing. from Park University 2010-2011 Undergraduate Catalog Page 92-93

Attendance Policy:
Instructors are required to maintain attendance records and to report absences via the online attendance reporting system.

  1. The instructor may excuse absences for valid reasons, but missed work must be made up within the semester/term of enrollment.
  2. Work missed through unexcused absences must also be made up within the semester/term of enrollment, but unexcused absences may carry further penalties.
  3. In the event of two consecutive weeks of unexcused absences in a semester/term of enrollment, the student will be administratively withdrawn, resulting in a grade of "F".
  4. A "Contract for Incomplete" will not be issued to a student who has unexcused or excessive absences recorded for a course.
  5. Students receiving Military Tuition Assistance or Veterans Administration educational benefits must not exceed three unexcused absences in the semester/term of enrollment. Excessive absences will be reported to the appropriate agency and may result in a monetary penalty to the student.
  6. Report of a "F" grade (attendance or academic) resulting from excessive absence for those students who are receiving financial assistance from agencies not mentioned in item 5 above will be reported to the appropriate agency.
ONLINE NOTE: An attendance report of "P" (present) will be recorded for students who have logged in to the Online classroom at least once during each week of the term. Recording of attendance is not equivalent to participation. Participation grades will be assigned by each instructor according to the criteria in the Grading Policy section of the syllabus.

Park University 2010-2011 Undergraduate Catalog Page 95-96

Disability Guidelines:
Park University is committed to meeting the needs of all students that meet the criteria for special assistance. These guidelines are designed to supply directions to students concerning the information necessary to accomplish this goal. It is Park University's policy to comply fully with federal and state law, including Section 504 of the Rehabilitation Act of 1973 and the Americans with Disabilities Act of 1990, regarding students with disabilities. In the case of any inconsistency between these guidelines and federal and/or state law, the provisions of the law will apply. Additional information concerning Park University's policies and procedures related to disability can be found on the Park University web page: .


CompetencyExceeds Expectation (3)Meets Expectation (2)Does Not Meet Expectation (1)No Evidence (0)
  Topic chosen is appropriate; work of art is relevant to course; time AND place fall within parameters of course subject matter Time or place of work of art does not fall within parameters of class 
Application-Objective Info                                                                                                                                                                                                                                 
 Mentions all: artist's name (if known); culture of origin; date and era; medium; size; name of museum Missing 1 element of the subject's objective info Missing 2 or more elements 
Introduction grasps reader's attention (engages the reader) and forecasts major points; includes brief overall description and thesis Some introduction; missing no more than one of the following elements: description, thesis, forecast Some introduction; only one of the following elements included: description, thesis, forecast No or poor introduction 
Synthesis-Articulation of Thesis                                                                                                                                                                                                                           
 Clear articulation of thesis or argument Some articulation of thesis No or poor articulation of thesis 
Application-Paragraph Development                                                                                                                                                                                                                          
 Paragraphs are consistently well developed, w/ a clear  topic sentence & appropriate number of sentences that provide examples & develop points Some structure and development of paragraphs and/or some with clear topic sentences or focus, but not consistently Poor paragraphs with no clear topic sentence; multiple topics; little or no development 
Application-Use of Examples                                                                                                                                                                                                                                
 Frequent or consistent use of examples & evidence; example or evidence appears whenever the reader asks, “For instance?” Some use of examples or evidence, but not consistent; no examples or evidence in places where they are needed Little or no use of examples 
 Every paragraph works to support the thesis; “linked” paragraphs Occasional tangents; repetition Lack of coherence; i.e. mismatch between the thesis and the body; tangents 
 A conclusion going beyond summary of what was written in the body of the essay Some summary of points made, but nothing beyond summary; no broad conclusions/lessons No or poor conclusion or summary of argument 
Writing has a compelling opening, an informative middle, and a satisfying conclusion Writing has a beginning, a middle, and an end Organization is rough but workable; may sometimes get off topic Writing is aimless and disorganized 
Skill in Communication-Transitions                                                                                                                                                                                                                         
 Strong and/or consistent transition between points in essay; strong flow Some transition or flow between paragraphs; partial structure to argument Little or no transition between paragraphs; poor flow 
Skill in Communication-Sentence                                                                                                                                                                                                                            
Sentences are clear and complete Sentences are well-constructed; some awkward sentences do appear Sentences are often awkward, run-ons, or fragments Run-on sentences and sentence fragments make essay hard to read 
Skill in Communication-Word Choice                                                                                                                                                                                                                         
Words are striking but natural, varied and vivid Some fine and some routine word choices Words often dull or uninspired, or sound like trying too hard to impress Same words over and over; some words may be confusing or used incorrectly 
Skill in Communication-Conventions                                                                                                                                                                                                                         
Correct grammar, punctuation, and spelling; page numbers on bottom of page A few errors to fix, but generally use correct conventions (1-2) Enough errors in essay to make paper distract a reader (3-4) Numerous errors make paper hard to read (5 or more) 
  No factual errors 1 or more facts wrong 
 675 – 1250 words in length 600 – 675 words; over 1250 words Less than 600 words 
  All references correctly cited; includes image References cited incorrectly or no image included 


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Last Updated:2/25/2011 9:43:01 AM